"MAMA AND THE CHILDREN WILL BE WAITING UP ALL NIGHT LONG" "EIGHTEEN WHEELER" FIRST THESE TWO FINGERS THE THIRD AND THE FOURTH STAY TOGETHER AND THIS FINGER RAISES TO THIS ATTENTION CLAIMING POSTURE BUT IT'S NOT POINTING - IT'S CALLING IT CAN BE POINTING AS WELL THEN IT'S THE SAME HAND HOLD THE THUMB AND THE SMALLEST FINGER ARE TOGETHER FORMING THE HABITUAL HOLE YOU LOOK THROUGH IT SYMBOLIZES A HOLE SO THE HOLE AND THEN THESE TWO FINGERS ARE KEPT TOGETHER IT SIGNALS ALLIANCE AND THIS FINGER STANDS OUT TO WARN OR TO JUDGE TO WARN OR TO JUDGE & THIS GROUP CALLED DODECAHEDRON DODECAHEDRON EXACTLY SERVING PERFECT BACKGROUND TO THIS NEW GESTURE THAT'S HOW IT LOOKS SIDEWISE THAT'S HOW IT LOOKS FRONTAL AND THAT'S HOW IT LOOKS FROM THE OTHER SIDEWISE IT'S A WARNING SIGN YOU CAN USE IT TOGETHER WITH THE FIST ONE - TWO ONE - TWO ONE - TWO REMEMBER THE BROTHERHOOD & THESE VIDEOS ARE SPEECHES LIKE ELECTORAL SPEECHES INTRODUCING THE PARTY IN A POP WAY POP BECAUSE THE IDEOLOGY ITSELF IS VERY POP OVERNATIONAL SOCIALISM IS A POP IDEOLOGY THE REAL DICHOTOMY HAS ALWAYS BEEN THERE BETWEEN POP AND THE ESOTERIC POP AND THE SECRET SOCIETIES BRIDGING OVER BRIDGING OVER BUT IN THE PUBLIC RELATION OF IT IT'S THE OPPOSITE TO MASONS POP POP IS ART TOO AND THAT'S WHY I LIKE IT MORE I DON'T REALLY LIKE ESOTERIC BECAUSE I CAN'T GROW UP TO IT I DON'T HAVE ESOTERIC KNOWLEDGE NOR ANY COMMUNICATION WITH ANYTHING ESOTERIC & THAT'S HOW THE DOUBLE VERSION LOOKS THESE TWO FINGERS CAN ACTUALLY CROSS EACH OTHER IMPORTANT IS THAT THEY ARE TOGETHER IF YOU DON'T HOLD THEM TOGETHER LET THEM CROSS JUST KEEP THEM TOGETHER THE THIRD AND THE FOURTH AND THEN THE POINTING FINGERS POINT AND THE TWO CLOSING FINGERS ARE FORMING A HOLE LOOKS THROUGH THE HOLE OOOO WHEN THEY TOUCH THE HOLE OPENS IF THEY TOUCH EACH OTHER FIRST AND THE FIFTH FINGER OF THE TWO HANDS THEY TOUCH THERE IN THE MIDDLE OF THE FOREHEAD RIGHT THERE IN-BETWEEN THE EYES MAYBE THAT'S WHERE IT IS MAYBE IT'S DOWNER THE THIRD EYE MAYBE IT'S RIGHT IN-BETWEEN WHO KNOWS AND THE TWO FINGERS FROM THE SIDE OF THE HEAD SHOW UPWARDS - BECOMES A SATANIC EVERYTHING BECOMES SATANIC - IT'S INEVITABLE & I SEPARATE LEFT AND RIGHT BY A DIFFERENT LINE AND ON THE RIGHT THERE IS THE DARKNESS OF THE ENLIGHTENED AND ON THE LEFT THERE IS THE BRIGHTNESS OF THE IGNORANT AND THAT'S WHY I'M JOINING THAT SIDE BECAUSE I BELONG THERE I BELONG THERE I HAVE NOTHING AGAINST WHAT I CANNOT GRASP BUT I HAVE A CHOICE BY THE CONSTITUTION, RIGHT THE CONSTITUTION GUARANTEES ME FREEDOM OF CHOICE HM AND I CHOOSE THE OTHER SIDE BECAUSE OF MY FREEDOM I'M FREE TO CHOOSE & HA-HA THE JEW TRIES TO EXPRESS HIMSELF AGAIN AND NOW THE JEW HERE HE IS TO EXPRESS HIMSELF AGAIN NOW THE JEW OOOOO I DON'T HATE YOU ANY MORE - I DESPISE YOU I DESPISE YOU I DON'T HATE YOU ANY MORE I DON'T KNOW WHAT TO DO WITH YOU YOU WILL NEVER CHANGE YOU WILL NEVER CHANGE & THE GENETIC CONTROL NUMBER ONE NUMBER ONE GOAL NUMBER ONE GOAL ONE GOAL THIS GENETIC CONTROL - THAT'S OUR MAIN GOAL OUR FIRST AMENDMENT AND WHAT'S THE SECOND AMENDMENT THE FIRST AMENDMENT IS MARTIAL LAW THE GENETIC CONTROL IS THE THIRD ONE THE SECOND IS SOMETHING ELSE & AND THIS IS CALLED THE DEVIL'S MUSIC? MUSIC IS THE DEVIL'S? GOOD GOOD MUSIC IS THE DEVIL'S, RIGHT BAD MUSIC IS GOD'S THE JUDGEMENT OF TASTE BY WHAT YOU LIKE BECAUSE THAT'S WHAT WE ARE JUDGED BY NOTHING ELSE IT'S A VERY GREAT SECRET REVEALED JUDGMENTOLOGISTS KNOW THIS JUDGEMENT IS BY THE TASTE YOU'RE JUDGED BY YOUR TASTE BECAUSE WE ARE CONSUMED IT'S HOW WE TASTE WE'D BETTER STASTE GOOD WE'D BETTER S-TASTE GOOD WE'D BETTER STA-TASTE GOOD GOOOD GOOOD WE'D BETTER S-TASTE GOOD & CAPITALISM JUST DON'T TELL ME THIS DON'T TELL ME THIS - DON'T WANT TO HEAR IT CAPITALISM IS ANTAGONISTIC WITH SOCIALISM CAPITALIST SOCIALISM IS IMPOSSIBLE DEMOCRACY YES WHAT'S THE DIFFERENCE BETWEEN DEMOCRACY AND SOCIALISM? OO OO OOOO ASK SOMEONE ELSE WHO GOT THAT YOU ASK SOMEONE ELSE WHO GOT THAT AAAA "ALIENATING MY AUDIENCE ONE FUCKER AT A TIME WILL THIS PERSON EVER LEARN NOTHING I SAY IS WRONG NOTHING I SAY IS WRONG SOME OF THE SHIT I SAY MAY NOT BE VOCALIZED PERSONAL CALENDAR EYE MAKING MY BONER ARISE I'M BIG ENOUGH TO PUT YOU DOWN I AIN'T FUCKING AROUND I'LL BATTLE YOU POUND FOR POUND SICK OF ME NOW?" THAT'S MY SHIELD THIS TOY IS MY SHIELD IT REPRESENTS ME I'M A FUCKING TOY YOU KNOW I'M A FUCKING TOY, YOU KNOW YOU DON'T FOLLOW A TOY YOU DON'T FOLLOW A TOY PROTECTED WELL-KEPT AND EQUIPPED THAT'S WHAT A TOY WANTS TO BE NO, DON'T MISTAKE IT FOR A BEAST DON'T MISTAKE THE TOY DON'T MISTAKE THE TOY DON'T MISTAKE THE TOY FOR A BEAST, HEY 'NOW WE GO INTO OUR HABITUAL RECHTSROCK' & THE PERFECT NEGATION OF NONE THE PERFECT NEGATION OF NONE THE PERFECT NEGATION OF NONE THAT'S THE WORD (CHARLOTTE'S THEME) CHARLOTTE IS COMING IN SHE ARRANGES HER VEIL THE VEIL SHE WEARS IS STILL ABSOLUTELY ABOMINABLE SHE WEARS THE SAME VEIL LIKE A HALF YEAR AGO AND IT'S NOT EVEN WASHED HOW SWEET HOW SWEET & THE DICHOTOMIC VIEW OF THE JUDGEMENT EVERYBODY IS AFRAID OF THE JUDGEMENT BECAUSE IT'S DEATH RELATED DEATH IS WHAT WE ARE AFRAID OF ANY IMPROBABLE THE PROBABILITIES MIGHT BE IN FACT WE ARE HANGING ON TO THEM WE ARE HOOKED UPON IMPROBABILITIES NOTHING PROBABLE WILL SAVE US SO WE NEED SOMETHING MORE WE CAN BE VERY PROUD IF WE ARE AN EXPERIMENT THAT WOULD BE THE GREATEST FROM THE PROBABILITIES & THIS IS THE MARCH OF 888 WHAM-BAM-BA… OSSSHHH I AM NOT FUCKING THE WALL I AM EXPECTING THE WALL TO FUCK ME