'SPIEL! THAT WAS WHAT WAS CALLED KRAUTROCK PAR LES ARROGANT BRITISH THE WAVE THAT CONQUERED LE MEILLEUR PART D'EUROPE OUT OF THE SIXTIES EXTENDING PSYCHEDELIA INTO THE REGIONS OF POSTMODERN AMBIANCE JUST IN CASE OF SUNSET KRAFTWERK DEBUTANT LE SHOW (…) SUIVANTE ÉTÉ LES TANGERINE DREAMS OF EDGAR FROESE SEMINAL PIONEER OF MODERN ELECTRONICA VERSUS STOCKHAUSEN ACTIVE DEPUIS LES SIXTIES AS WELL STARTING HIS CAREER AS A MEMBER OF THE GREAT ROCK BAND THE ONES EN '65 (…)ET FINI LE SET AVEC UN OLDIE BY ENO AND CLUSTER GERMAN EXPERIMENTAL PROG ELECTRO AMBIENT UNIT BY MOEBIUS AND RODELIUS AND OTHER DIVINITIES THEY HAD MADE DEUX COLLABORATIVE ALBUMS AVEC BRIAN ENO LES FINS DES ANNÉES SEVENTIES OF ONE OF THOSE SIMPLY SELF-TITLED ON A TIRÉ LE TRACK DIE BUNGE POUR VOUS L'ENTENDRE' & THE DIVIDING LINE WAS DRAWN THERE WHEN THE FACTORY NOISE CAME IN THE FOREGROUND AS MUSICAL ELEMENT WHEN YOU UNDERSTOOD THAT YOU CAN CREATE FACTORY NOISE BY MUSIC THAN FROM THAT MOMENT ON FACTORY NOISE ITSELF BECAME MUSIC SO YOU COULD SAMPLE IT IF YOU DIDN'T HAVE TIME NEW RACE NEW RACE - NEW ATTITUDE BECAUSE PSYCHEDELIA WAS STILL BASED ON NATURE NOISES AND THEN YOU MADE IT ELECTRONIC THEN IT DIDN'T SOUND NATURAL ANY MORE SOUNDED ARTIFICIAL - EVEN THE BEST IMITATION OF IT ELECTRONICALLY ELECTRONIC IMITATION OF THE GRASSHOPPER'S WHISTLE IS NOT THE SAME WON'T EVER BE THE SAME AND EVERY GRASSHOPPER IS DIFFERENT ANYWAYS & ART IS SO PERSONAL TODAY NOT AS THE CAVE PAINTINGS THAT DON'T HANG ON THE WALL BUT ARE DRAWN ON IT ON THE CAVE THAT HOLDS CENTURIES NOT LIKE A WEEKEND HOUSE WE ARE TEMPORARILY HANGING PICTURES ON THE WALL ON THE WALL OF THE MUSEUM OR PAINT ON THE WALLS OF THE COLLAPSING MUSEUM NO NO NO NO EVERY VISION IS FRAMED SINCE VERY LONG - SINCE HOW LONG WHEN THE FRAMING STARTED WHICH AGE THAT THEY BEGAN TO FRAME PICTURES IN THE NEOLITHIC MAYBE NEOLITHIC PALEOLITHIC & I LIKE TO PLAY THIS REALLY I'M PROUD OF IT - IT'S MY BEST WORK 'SPIEL! NOMMÉ APRÉS LA STADE FINALE OF YELLOW FEVER BELGIAN DUO SINCE '89 AND STILL ACTIVE VOMITO NEGRO ONT COMMENCÉ LE DEUXIÈM SET AVEC LA TITRE PIÈCE DE LEUR DEBUT ALBUM THE NEW DRUG' SINCERELY ISN'T IT A BLOODY SHAME THAT NOBODY LISTENS TO THIS SO HOW IS IT - I'M DOING VIDEOS NOBODY SEES THEM I'M DOING THE RADIO SHOW NOBODY HEARS THEM WHERE AM I DOING IT IT'S UNFAIR & BETWEEN THE MICROSCOPIC AND THE INFINITE OUR PLACE IS VERY LIMITED IT'S VERY NARROW - OUR EXISTENCE IS NARROW MICROSCOPIC IS ALSO INFINITE VIRTUALLY INFINITE MICROSCOPIC AND MACROSCOPIC - WE ARE THERE WHAT CAN WE DO THESE BORDERS ARE CLOSED ENHANCE IT TOWARDS INFINITY MEANS THAT YOU GET JUST MORE AND MORE INFINITE THAT'S A CONTRADICTORY ADVANCEMENT THESE THREE THINGS YOU ALWAYS CONFUSE IMMORTALITY, ETERNITY, AND INFINITY INFINITY, IMMORTALITY AND ETERNITY ARE THREE COMPLETELY DIFFERENT TERMS SO DIFFERENT THEY DON'T EVEN FORM A TRINITY & I'M A WATCHER THROUGH TELEVISION I'M ONE OF THE WATCHERS BUT I'M WATCHING THROUGH TELEVISION NOT THROUGH THE WINDOW OF THE SOUL SOMETIMES I INTRUDE UNRIGHTEOUSLY INTRUDE BUT I'M NOT WATCHING THROUGH THE WINDOW OF THE SOUL & IT'S HIS MELANCHOLIC SIDE HIS MELANCHOLIC SIDE THERE IS A FUNNY SIDE OF HIS AND A MELANCHOLIC SIDE OF IT EQUALLY STRONG BOTH - PERFECT BALANCE MAN RAYMOND SCOTT WAS A PERFECTLY BALANCED MAN HE WAS PERFECTLY BALANCED MORRICONE MORRICONE IT'S ANOTHER CATEGORY THE INFLUENCE OF MORRICONE ON THE HUMAN EARS AND SOUL AND HEART AND BRAINS AND MIND AND SPIRIT WHAT ELSE - BODY IS BEYOND COMPARE & THAT'S ALL THE WORD WANTS THAT'S ALL THE WORD EVER WANTED FROM YOU UNMSTAKABILITY I HATE ROMANTICISM I UNDERSTOOD - THAT'S WHAT'S KILLING ME I AM ROMANTIC I HATE ROMANTICISM & I'VE JUST REALIZED PROBABLY TOO LATE THAT ALL THE POWER IS IN THE FEET IN THE SOLE OF THE FEET I SHOULD HAVE KNOWN IT BEFORE AND I DON'T HAVE THAT POWER I DON'T HAVE POWER IN MY FEET AT ALL THAT MUST BE MY PROBLEM I WAS LOOKING FOR MY PROBLEM AND I FOUND IT IN MY FEET THAT'S ALIEN YOGA BY IT'S QUINTESSENTIAL HOW YOU WALK AND HOW YOU TALK WALK AND TALK IT'S NOT JUST THE GREATEST RHYME - IT IS A VERITY THE WAY YOU TALK AND THE WAY YOU WALK MATTER THE MOST MORE THAN THE SYMMETRY OF THE FACE BECAUSE FINALLY WE ARE A RHYTHM DEVICE & GRENDEL - IT'S A VERY VERY GOOD INDUSTRIAL BAND NETHERLANDISH OF COURSE NETHER LAND IT'S ALSO BECOMING A MUSLIM COUNTRY, RIGHT ALL OF THEM - NO ONE GIVES A SHIT ABOUT IT I UNDERSTAND IF OSH DOESN'T GIVE A SHIT ABOUT IT WHY SHOULD WE I DON'T I REALLY DON'T CARE I DON'T CARE I DON'T HAVE ANY RESPECT FOR VALUES NOT EVEN FOR CARAVAGGIO NOT EVEN FOR VAN GOGH I HAVE NO RESPECT FOR ANY VALUE NOW BABY NOW IT'S GETTING GLOBAL IT'S GETTING REALLY GLOBAL THE BLOODTHIRST EPIDEMY THE BLOODTHIRST THE VAMPIRE IT'S NO MORE A FICTION - IT'S NEVER BEEN A FICTION IT WAS AN ALLEGORY BABY IT WAS AN ALLEGORY I'M AN ALLEGORY BABY - I'M NOTHING BUT AN ALLEGORY OF THE HUMAN RACE & SNOW-WHITE HAS ALWAYS BEEN A FASCIST IMAGE SNOW WHITE - ESPECIALLY AS INFILTRATED BY DISNEY FASCIST GIRLS CALL THEMSELVES SNOW-WHITE AT LEAST ONE I KNOW OF IT HAS A RACIAL CONNOTATION SNOW-WHITE IS VERY BEAUTIFUL IN THE NIGHT WHEN YOU'RE SNOW-WHITE IN THE MOONLIGHT WHEN YOU'RE SNOW-WHITE IN THE NIGHT IN THE MOONLIGHT YOU FEEL YOU FEEL VERY BRIGHT VERY BRIGHT WHEN YOU'RE SNOW-WHITE IN THE MOONLIGHT OOO & BUT THIS IS ROMANTIC AND I DON'T LIKE WHAT'S ROMANTIC ROMANTIC COMES WITH HORROR IT'S INEVITABLE ROMANCE AND HORROR GO TOGETHER YOU CAN'T SEPARATE THEM OR IT BECOMES BORING WE NEED A REASON THE GOOD READER NEEDS A STORY IT CANNOT BE NOUVELLE VAGUE NOUVELLE VAGUE WAS VERY SENTIMENTAL BUT IT WASN'T ROMANTIC PER SE NOT EVEN THE GODARD'S IT'S VERY SENTIMENTAL BUT IT'S NOT ROMANTIC IN THE SENSE OF THE GRAVEYARD IT'S NOT MORBID - MORBID CAME WITH THE GOTHICA & THIS IS AN OPPRESSED SALUTE TRYING TO MAKE THE BACKWARDS MOTION BUT YOU GLIMPSE SOMETHING SO FROM THE FOUR FINGERS IT BECOMES TWO AND THEN BECOMES ONE POINTING THAT'S GOOD TO ABSOLVE INCIDENTS ESPECIALLY GOOD IN THE AUDIENCE RELATIONSHIP IT'S SPONTANEOUS AND IT'S VERY ELEGANT VERY VIOLENT TOO HAS A MAGIC POWER TO IT MAGIC POWER IS AUTOMATICALLY THERE IN THE POINTING FINGER WHEN IT CONSCIOUSLY POINTS THE MAGIC IS HERE IN THE POINT WHEN YOU CONSCIOUSLY POINT AT SOMETHING ALL YOUR POWER GOES TO THERE GOES TO THE POINT WHAT YOU POINT AT BECAUSE NORMALLY WE HAVE ELECTRICITY THERE THAT CAN KILL RIGHT AWAY NOW WE NEED GUNS AND OTHER EXTENSIONS NORMALLY YOU CAN - YOU KNOW THAT SAW ENOUGH O-HOO-HA-HAY & "ICH SEHE MEINE LÜGE, ICH BIN NICHT BLIND GEBOREN ICH LERNE AUS MEINEN FEHLERN UND MACHE DARAUS EIN LIED" IF I POINT AT IT IT SHOULD DIE 'SPIEL! GERMAN PUNK ROCK FROM LEFT TO RIGHT FROM THE EARLY NINETIES ON VOUS A JOUÉ DANS CE BLOCK STARTING AVEC DIE ÄRZTE SUIVI PAR BÖHSE ONKELZ FROM HÖSBACH METALLIC PUNKS FORMÉ EN 1980 TURNED NEO-NAZIS EN 1984 ET RESTÉ COMME ÇA JUSQ'A 2005 WHEN THEY FINISHED THEIR EXISTENCE DE LEUR 1995 ALBUM SPIEL MIR DAS LIED VOM TOD ON A ENTENDU ICH BIN SO WIE ICH BIN' & WHY THIS MEXICO HAS TO BE SUCH A HORRIBLE PLACE WHY IT HAS TO BE A HELL ON EARTH PRODUCING THAT FANTASTIC MUSIC - ABSOLUTELY DOESN'T MATTER THE ART OF A PEOPLE DON'T INFLUENCE ANYTHING THE ART OF A PEOPLE EITHER YOU SEPARATE A PEOPLE BY THEIR ART OR BY THEIR BEHAVIOUR THE MAJORITY BEHAVIOUR IF YOU THINK ABOUT JAMAICA AS PETER TOSH OR THE PEOPLE THAT KILLED HIM I WOULD DROP ANYTHING ON THE LAND OF JAMAICA TO AVENGE HIS MURDER FOR ME IT'S AN AMBASSADOR'S SENSATION I'M AN AMBASSADOR IT'S UNAVENGED - BUT HE DOESN'T WANT TO BE NOBODY WANTS TO DO ANYTHING I'M ALONE WITH THIS FOLLY OF VENGEANCE & AN ARTICLE TITLE I HAVE SEEN AND IT SAYS: NO NO TO MEANING NO SAY NO NO TO THE RAPE ON CAMPUS HERE IS THE REVOLUTION - THAT'S WHERE WE ENDED THAT'S WHERE WE ENDED DARLING IT'S THE END OF REVOLUTION NO TO RAPE ON CAMPUS IT'S A WAR-CRY NOW IT'S A WAR-CRY NOW IT'S A QUESTION - YOU SAY YES OR NO YOU SAY YES WE SAY NO & NO I'M NOT GOING INTO THE DETAILS OF HOW THE HELL WE GOT HERE THIS IS MARTIAL LAW HERE YOU NEED MARTIAL LAW NOT ELSEWHERE NOT IN HUMAN RIGHTS AND THINGS LIKE THAT TO SAVE SEX - THAT'S WHAT MARTIAL LAW IS FOR THE REST I DON'T CARE AT THIS POINT MORE FOCUS - I NEED A FOCUS THE FIRST THING FIRST - I DON'T SEE ANY WIDE NOW I SEE THE MOST NARROW TOTALLY NO-DIMENSIONAL UNDIMENSIONAL I DON'T NEED ROMANTICISM HERE - I DON'T NEED NOUVELLE VAGUE I NEED MARTIAL LAW MARTIAL LAW & '…TO THE WORLD'S AMBIENCE FARSCAPE WAS REALIZED FROM SCHULZE'S SEPT HUNDRED MINUTES OF MUSICS WITH GERRARD'S LYRICS TO THEM IT IS SEVEN TRACKS ALL INTITULÉ LIQUID COINCIDENCE CELUI EST LA PART DEUX FROM DISQUE UN AND IS ACTUALLY THE LONGEST TAKING THIRTY MINUTES FOR THE REST OF OUR PRECIOUS TIME C'ÉTÉ L'EMISSION NUCLEAIRE DU NOVA AKROPOLA LE 7 SEPTEMBRE 2012 MON NOM EST HELMUT'