NOTHING COMES - ANYTHING GOES "…YOU'RE A REAL MEAN GUY I'D LIKE TO CLIP YOUR WINGS SO YOU CAN'T FLY I'M IN LOVE AND IT'S A CRYING SHAME AND I KNOW THAT YOU'RE THE ONE TO BLAME HEY HEY SET ME FREE STUPID CUPID…" I GOT A NEW TOY IT'S A DOG I GUESS IT'S A DOG DOGLIKENESS & IT'S VERY BAD THAT I DON'T REMEMBER WHAT THE PRAYING GESTURE IS HAS TO DO SOMETHING WITH THE HANDS THAT'S FOR SURE WHEN YOUR HANDS ARE PRAYING THEY ARE NOT WORKING THE TWO BASIC FUNCTIONS OF THE HANDS BESIDES MANY OTHERS IN-BETWEEN TWO-POLAR FUNCTION OF THE HANDS IS WORK AND PRAYER A-HA-HA-HA-AA PUT TOGETHER FLAT THE HANDS MEANS YOU'RE NOT WORKING - YOU'RE PRAYING YOU'RE ON STRIKE THE ACTUAL CONTENT OF IT IS IT IS TALKING TO THE SUPERIOR IT'S AN ANTENNA YOU CREATE AN ANTENNA PRESSING THE PALMS TOGETHER YOU CREATE AN ANTENNA AND THEN WHAT YOU THINK GOES UP IT IS VERY PRIMITIVE PERCEPTION IT'S ALL THIS BODY ELECTRICITY EMANATIONS AND ALL THE SHIT THAT COMES WITH THE BODY & "ONLY THE LONELY KNOW THE WAY I FEEL TONIGHT ONLY THE LONELY KNOW THIS FEELING AIN'T RIGHT" ROY ORBISON IS VERY GOOD FOR THE PRAYER WHY NOT "THERE GOES MY BABY, THERE GOES MY HEART THEY'RE GONE FOREVER, SO FAR APART…" THIS CLIPPING CLAPPING CLIP-CLAP OOOH IT'S A THIRD FUNCTION OF THE HANDS JUST FOR THE TRIANGULAR IT DOESN'T SEEM TO BE SO RELEVANT LIKE MINING AND CLAPPING & MUST HAVE BEEN GROIN-RELATED IT WAS PROBABLY NO I DON'T WANT TO BE OBSCENE I HATE THE IDEA TO BE OBSCENE JUST WANT TO BE REAL WHAT IS OBSCENE LARRY FLYNT FUCKING HIS MOTHER WITH THE SHITBAG THAT'S OBSCENE, RIGHT - NINETY YEARS OLD MOTHER I'VE READ ABOUT THIS AND I WONDER IF IT REALLY HAPPENED OR WAS AN IMAGINATION BUT EVEN IF IT WAS IT'S EXTREMELY CORRECT THIS GUY REALLY WANTS TO GO TO HEAVEN SO DOES ABSOLUTELY EVERYTHING FOR IT NOW THEY ARE EXECUTING HIS KILLER? HIS PARALYZER THEY HAVE EXECUTED HIM THESE DAYS IT'S A RACIST - THE WHOLE THING HAS NO MEANING IT'S A RACIST THE KILLING WAS RACIALLY MOTIVATED IT WASN'T SEXUALLY MOTIVATED BUT A RACIAL MOTIVATION TO SAVE SEX FROM TE INTERRACIAL, YA THE GUY WASN'T AGAINST SEX - HE WANTED TO SAVE IT TARA-TI-TI-TI-TIRAM & OOOH THE DECEIVER THE DECEIVER THE DECEIVER THE DECEIVER THE DECEIVER THE DECEIVER OOH-HO-HO-HOO WHAT CAN YOU DO WHAT CAN YOU DO WHEN THE DECEIVER COMES AROUND COMES AROUND DETACH AND I SING THIS SONG THE DECEIVER THE DECEIVER WHEN THE DECEIVER THE DECEIVER WHEN THE DECEIVER WHEN THE DECEIVER THE DECEIVER COMES AROUND & IF YOU WANT MY TOPICS I WOULD LIKE TO TALK ABOUT SEX AND CRIME WHAT A COMBINATION THE MAGNETIC SITUATION I FIND MYSELF IN IS EXTREMELY OLD-FASHIONED IT'S NOT NOT MODERN THE RELATION BETWEEN SEX AND CRIME IS VERY OBSCURE THE LINE IS ERASED IT HAS NEVER BEEN DRAWN IN THE FIRST PLACE BUT WHATEVER YOU TRY TO DO TO CREATE IT IT AUTOMATICALLY ERASES THAT'S HOW IT FUNCTIONS - CAN DO NOTHING WITH IT WE HAVE TO GO ON TRYING TO DEFINE IT THE LINE BETWEEN CRIME AND SEX FIRST OF ALL THE MORALISTS DON'T EVEN ACCEPT THE EXISTENCE OF THAT BORDERLINE THAT'S WHERE IT STARTS SEX SLAVERY HAS NEVER BEEN A GREATER BUSINESS EVER ON EARTH NEVER EVER NOT IN THE ROMAN TIMES HOW ORGANIZED CRIME HAS BECOME WITH THE INTERNET THIS IS UNBELIEVABLE EVOLUTIONARY STEP WHAT WORLD WIDE WEB IS, HM IT'S INFERNO, DARLING WORLD WIDE WEB IS THE EQUIVALENT TO INFERNO ENJOY IT WE ENJOY EVERYTHING DANTE DIDN'T KNOW WHAT TO EXPECT & THE PRAYER WHAT WAS THE PRAYER THIS IS THE HANDSHAKE THE HANDSHAKE WE KNOW YOU REACH LEFT HAND WITH THE PALMS OUTWARDS WHEN YOU MEET SOMEONE AND HE REACHES RIGHT HAND THE POINT IS THAT THE INITIATIVE OF THE HANDSHAKE GOES WITH THE LEFT HAND OUTWARDS THAT'S THE SECRET HANDSHAKE OF THE UR, YES HAVE TO HOLD THE THUMB WIDE AWAY THAT THE OTHER CAN EASILY GRAB YOU "I WANT SOME RED ROSES FOR A BLUE LADY" & IT AIN'T EASY - IT'S ALWAYS GETTING HARDER THAT'S THE IDEA I UNDERSTAND HOW IS IT I DO NOT UNDERSTAND WHY IT IS ALWAYS GETTING HARDER IT MAKES THE PROJECT VERY TRANSPARENT IT SHOULD GO EASIER BEST WAY WOULD BE IF IT GOES EASIER YOU CANNOT START HARD AND GO EASIER SLOWLY HAVE TO BUILD IT UP SO THE END IS THE HARDEST? DEATH IS THE HARDEST, NO YES OF COURSE IT'S THE HARDEST THAT'S WHY WE ARE LEARNING TO MAKE IT EASIER ALL LIFE LONG SO THE USUAL ARS MORIENDI TARA-RIRA-RE YOU DON'T HAVE TO TALK ABOUT ARS MORIENDI EVERYBODY KNOWS IT- EVERYBODY DOES IT RIGHT NOW AT THIS POINT IN TIME & NO NO NO NO NO THE HARDEST IS TO SPEAK OUT THINGS TO SPEAK OUT THINGS THAT THEY ARE NOT TASTELESS WORDS HAVE TASTE - EAT THEM GET OUT GET OUT OF ME GET OUT OF ME YOU FUCKING JEW LEAVE ME ALONE & "WE FIRED OUR GUNS AND THE BRITISH KEPT A-COMIN' THERE WASN'T NIGH AS MANY AS THERE WAS A WHILE AGO WE FIRED ONCE MORE AND THEY BEGAN TO RUNNIN' ON DOWN THE MISSISSIPPI TO THE GULF OF MEXICO WE LOOKED DOWN THE RIVER AND WE SEED THE BRITISH COME AND THERE MUST HAVE BEEN A HUNDRED OF 'EM BEATIN' ON THE DRUM THEY STEPPED SO HIGH AND THEY MADE THEIR BUGLES RING…" THIS IS THIS GREAT BATTLE SONG & IF I HAVE A TOY HORSE AT MY GROINS THE SALUTE LOSES ITS POWER? THAT'S THE MALE VERSION OF IT MALE VERSION OF THE SHAKE WITH THE STRAIGHT ARM COMES THREE THREE AND TWO UU-WAH-WAH MAKE IT EVEN MORE OBSCENE, OKAY THIS IS THE HIPS THE HIPS IS THE SAME ONE-TWO-THREE FOUR-FIVE ONE-TWO-THREE FOUR-FIVE AND THE MALE IS - THE SALUTE RHYTHM IS THIS AND THEN YOU CAN SLOW IT DOWN OR SPEED IT UP BUT IT'S IMPORTANT THAT IT INCLUDES THE HIP MOTION I DON'T THINK THERE IS MUCH SENSE TO SALUTE ANYONE ANYTIME WITHOUT A HIP MOTION IF YOU ARE IN A RALLY YOU SALUTE LIKE THAT YOU HAVE TO MOVE YOUR HIPS TO IT IT'S NOT STIFF IT'S NOT STIFF IT'S FUNKY IT'S PARTY TIME UU-UU-UH THAT'S THE COMMAND OF THE NEW ORDER THANK YOU & WE'RE DANCING NOT MARCHING WE'RE NOT GONNA MARCH - I GUARANTEE YOU THAT THE UR WON'T MARCH - ONLY IF THEY FEEL LIKE THERE WILL BE NO FORCED MARCH - BUT FORCED DANCE YES "SLAP YOUR THIGHS AND SING THIS LITTLE SONG MY MAMA TOLD ME IF I WAS GOODY THAT SHE WOULD BY ME A RUBBER DOLLY" I'LL CUT THIS OUT - I CANNOT KEEP THIS IN THIS VIDEO IS A FICTION IT'S A FICTION BY THE FACT THAT IT IS RECORDED AS SOON AS IT IS RECORDED IT IS A FICTION THERE IS A TRANSMISSION WHICH DRAWS A LINE AS SOON AS IT'S DOCUMENTED IT'S A FICTION EVEN IF IT'S HAPPENED ALL THE REALITY TELEVISIONS THEY ARE ALL FICTION IT'S VERY STRANGE HOW IT TRANSFORMS THE ENTIRE HEMISPHERE TRANSFORMS INTO FICTION BY THE MEDIA AGE - AS OPPOSED TO BRONZE AGE WELL, EVERYTHING TRANSFORMS NOW INTO AN OTHER DIMENSION IT'S VISUAL "LUCILLE, PLEASE COME BACK WHERE YOU BELONG I BEEN GOOD TO YOU BABY, PLEASE DON'T LEAVE ME ALONE" & ANYONE COMES WITH THE SAME PERFECTION NOW IN A HUGE HUGE QUANTITY REMAINING UNDERGROUND IN THE DARK A HUGE QUANTITY IN THE DARK HAVE BEEN BRED TO TAKE OVER IT'S A HUGE ARMY WAITING THEY'RE NOT WAITING BECAUSE THEY DON'T KNOW THAT THEY ARE AN ARMY SOME OF THEM SOMEWHAT KNOW BUT IT'S NOT A GENERAL CONVICTION NOT EVEN THE NEO-NAZI NORWEGIANS THINK IT BEING AN ARMY WELL UR IS AN ARMY AND THEY ARE BUT THE UR ISN'T THEY ARE - BUT THE UR ISN'T THAT'S A COMPLICATED CASE, ISN'T IT THESE SUPERCOMPLICATED RIDDLES OF YOURS OOH MY HA-HOO=HAY WE ARE NOT THEY ARE BUT WE ARE NOT THEY ARE BUT THEY AREN'T WE WE ARE NOT - THEY ARE COMING DOWN ON THE MOUNT OF DEPRESSION HUGE ARMY OF VIKINGS - ELECTRONIC WEAPONS THIS IS THE VISION EVERYBODY HAS THE MEANING OF THIS ALLEGORY IS THAT WE ARE AT THE POINT OF THE MEETING OF THE FUTURE AND THE PAST & THIS IS NOT PRAYING GESTURE AS WELL THIS IS NOT PRAYING - TWO MOTIONS THERE ARE SINGLE GESTURES AND DOUBLE GESTURES THIS IS A DOUBLE GESTURE - THE FIST IS A SINGLE GESTURE THE MENACE SIGN - MEANS "NO PASARAN" BASICALLY BUT WE CHANGED THE REGULAR FIST WHERE THE THUMB IS BESIDE TO THIS CLOSED FIST - CALL IT CLOSED FIST THAT'S OUR FIST - IT MEANS THE SAME IT'S A FIST AN OLD FIST WITH A NEW POSTURE OSP HAS AN AGENDA THE OVERNATIONAL SOCIALIST PARTY DO HAVE AN AGENDA KILL THE CRIME IS THE FOCUS WE START AT THE BOTTOM FIRST WE CLEAN THE BOTTOM AND THEN CLEAN THE AIR I'M SORRY I'M VERY SORRY & DON'T CRY CHARLOTTE DON'T CRY DON'T CRY - YOU'LL DO IT YOU'LL MAKE IT YOU'LL MAKE IT CHARLOTTE DON'T CRY CHARLOTTE DON'T CRY CHARLOTTE DON'T CRY - YOU'LL DO IT I'LL DO IT WE'LL DO IT SUPERMAD SUPERMAD (CLAP CLAP CLAP) OSH-RA-TA THAT IS FAKE EVERYTHING IS FAKE WHATEVER I CAN DO IS FAKE CAN'T HELP IT OH